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Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Satsuma ware: 薩摩焼: Satsuma Province: Earthenware, originally a local industry of plain vessels started by Korean potters about 1600. From the 19th century a term for a style of highly decorated ware produced in many areas, purely for export to the West. Seto ware: 瀬戸焼: Seto, Aichi: The most produced Japanese pottery in Japan.
The list of Japanese ceramics sites (日本の陶磁器産地一覧, Nihon no tōjiki sanchi ichiran) consists of historical and existing pottery kilns in Japan and the Japanese pottery and porcelain ware they primarily produced. The list contains kilns of the post-Heian period.
Chinese export porcelain made for European markets was a well-developed trade before Japanese production of porcelain even began, but the Japanese kilns were able to take a significant share of the market from the 1640s, when the wars of the transition between the Ming dynasty and the Qing dynasty disrupted production of the Jingdezhen porcelain that made up the bulk of production for Europe ...
Awata ware (粟田焼, Awata-yaki) is a type of Japanese pottery that is a form of Kyō ware from Kyoto. [1] It is related to other Kyō wares such as Mizoro ware and Kiyomizu ware, but denotes the kiln it originates from. The origin lies in the Awataguchi area of Kyoto. [2] Awata kilns also produced Satsuma ware at one point. [3]
Yokohama ware (横浜焼, Yokohama-yaki) is a broad term for Japanese export porcelain mostly destined for export to Europe and the West, which was shipped out of Yokohama. [ 1 ] Yokohama ware is difficult to define, but encompasses styles such as Arita ware and Satsuma ware that were destined for export.
In Southern part of Korea, Mumun pottery were popular. Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo , and later styles ...
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