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Los Caprichos is a series of 80 etchings published in 1799 wherein Goya criticized the rampant political, social, and religious abuses of the time period. In this series of etchings, Goya heavily utilized the popular technique of caricature, which he enriched with artistic innovation.
All these were left in Madrid—apparently incomplete and with only a handful of proofs printed—when Goya went to France in 1823. One plate is known to have been etched in 1816, but little else is established about the chronology of the works or Goya's plans for the set. [72]
Private collection 31.1 x 40.6 The Sacrifice to Vesta (in Polish) 1771 Collection of Felix Palacios Remondo, Zaragoza 32.5 x 24 The Sacrifice to Pan (in French) 1771 Private collection 32.5 x 24 Venus and Adonis (in Spanish) 1771 Zaragoza Museum: 23 x 12 Ecstasy of Saint Anthony the Great (in Polish) 1771 Private collection 47.2 x 38.8
Los Caprichos lack an organized and coherent structure, but they have important thematic nuclei. The most prevalent themes are: the superstition around witches, which predominates after Capricho No. 43 and that serves to express ideas about evil in a tragicomic way; the life and behavior of friars; erotic satire relating to prostitution and the role of the matchmaker; and to a lesser extent ...
Unfortunate Events in the Front Seats of the Ring of Madrid, and the Death of the Mayor of Torrejón (or Fatal Mishap in the Stands...) [1] (Spanish: Desgracias Acaecidas en el Tendido de la Plaza de Madrid, y Muerte del Alcalde de Torrejón) is the name given to an etching with burnished aquatint, drypoint and burin on paper by the Spanish painter and printmaker Francisco Goya.
The Prisoners is a series of three etchings by Francisco de Goya, depicting imprisoned men with indistinct faces, bound with leg irons in stress positions.The prints are not dated, but they are believed to have been made between 1810 and 1815, around the time Goya started his print series The Disasters of War.
Goya's painting of the massacre, which shows terrified civilians facing a firing squad, was intended to arouse anger and hatred on the part of Spanish viewers. Goya's is a highly romantic picture of a deeply emotional episode. [57] Pablo Picasso's Massacre in Korea (1951) was painted as a protest against the United States intervention in Korea ...
The Museo del Grabado de Goya (English: Goya Engraving Museum) is an art museum dedicated to the engravings made by Spanish artist Francisco Goya, in Fuendetodos, near Zaragoza, Spain. It is the only museum in the world dedicated entirely to Goya's artworks. It is located right next to the painter's birthplace, and it was inaugurated in 1989 ...
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