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The first line of the third stanza, in describing her smile, contains a heart-wrenching juxtaposition. Normally a facial gesture associated with happiness and joy, a smile is described as "the deadest thing". This provokes strong emotion in the reader, as the cold causality of the gesture serves as reminder to the bitterness of the poem.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
The poem, a rondeau, [3] has been cited as one of Dunbar's most famous poems. [4]In her introduction to The Collected Poetry of Paul Laurence Dunbar, the literary critic Joanne Braxton deemed "We Wear the Mask" one of Dunbar's most famous works and noted that it has been "read and reread by critics". [5]
"To Helen" is the first of two poems to carry that name written by Edgar Allan Poe. The 15-line poem was written in honor of Jane Stanard, the mother of a childhood friend. [1] It was first published in the 1831 collection Poems of Edgar A. Poe. It was subsequently reprinted in the March 1836 issue of the Southern Literary Messenger.
[8] A. L. Rowse points out in both of these poems the speaker is unable to predict the future by using astrology, and can only predict the future through the object of their poem's eyes. [9] According to Frederick Fleays, lines 3-4 are possible references to plagues that occurred in 1592–1593, and the dearths that followed in 1594–1596. [10]
The fifth line in the sonnet, "The gentleness of heaven broods o'er the Sea", references the creation story of Genesis 1:2 (compare Milton's Paradise Lost 7:235, a poem Wordsworth knew virtually by heart), and a similar use of "broods" eventually appeared in "Intimations" in stanza VIII
Also known as "When I consider every thing that grows," Sonnet 15 is one of English playwright and poet William Shakespeare's 154 sonnets. It is a contained within the Fair Youth sequence, considered traditionally to be from sonnet 1-126 "which recount[s] the speaker's idealized, sometimes painful love for a femininely beautiful, well-born male youth". [2]
"Infant Joy" is a poem written by the English poet William Blake. It was first published as part of his collection Songs of Innocence in 1789 and is the counterpart to "Infant Sorrow", which was published at a later date in Songs of Experience in 1794. Ralph Vaughan Williams set the poem to music in his 1958 song cycle Ten Blake Songs.