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  2. Tondo (art) - Wikipedia

    en.wikipedia.org/wiki/Tondo_(art)

    A tondo (pl.: tondi or tondos) is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian rotondo , "round". The term is usually not used in English for small round paintings, but only those over about 60 cm (two feet) in diameter, thus excluding many round portrait miniatures – for ...

  3. Shaped canvas - Wikipedia

    en.wikipedia.org/wiki/Shaped_canvas

    Shaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. [1]

  4. Laughing Boy with Flute - Wikipedia

    en.wikipedia.org/wiki/Laughing_Boy_with_Flute

    This painting was documented by Hofstede de Groot in 1910, who wrote "31. A LAUGHING BOY WITH A FLUTE. M. 240. Half-length, in profile to the left. The head is three-quarters left.

  5. Merry-Go-Round (Gertler painting) - Wikipedia

    en.wikipedia.org/wiki/Merry-Go-Round_(Gertler...

    Mark Gertler, Merry-Go-Round, 1916. Tate Britain.. Merry-Go-Round is a large oil on canvas painting made by Mark Gertler in 1916, when he was 24 years old. It is perhaps his most famous work, and depicts men and women (many in uniform) on a merry-go-round ride.

  6. The Ricotta Eaters - Wikipedia

    en.wikipedia.org/wiki/The_Ricotta_Eaters

    The Ricotta Eaters is a c.1585 oil on canvas painting by Vincenzo Campi, showing four figures eating a round ricotta. [1] The artist himself entitled it Buffonaria, which links its four figures to Commedia dell'arte characters, and depicted himself as Pantalone, wearing red costume. [2]

  7. Rhythms (Delaunay) - Wikipedia

    en.wikipedia.org/wiki/Rhythms_(Delaunay)

    Rhythms (French: Rythmes) is an oil on canvas painting by the French artist Robert Delaunay, from 1934. It is part of the collection of the Musée National d'Art Moderne, in Paris. [1] The painting was inspired by the round shapes that marked the return of the artist to orphism and study of harmony in painting. [1]

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