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Kanda Bongo Man (born Bongo Kanda; [1] 1 January 1955) is a Congolese soukous musician born in Inongo, Democratic Republic of the Congo. [ 2 ] [ 3 ] He became the singer for Orchestra Belle Mambo in 1973, [ 3 ] developing a sound influenced by Tabu Ley . [ 4 ]
Zing Zong is an album by the Congolese musician Kanda Bongo Man, released in 1991. [1] [2] The album is dedicated to the memory of Soki Vangu and his brother Soki Dianzenza (also known as Emile and Maxime Soki), who were in the earlier Zairean soukous band Orchestre Bella Bella.
[8] The Boston Globe concluded that "Bongo Man's sweet tenor voice is in fine form—but the dull, compressed sound is like a film over the music, adding distance to the experience." [ 15 ] AllMusic wrote that the album "dances on non-stop with the idiom's patented driving prettiness, beguiling as all-get-out but without peaks and valleys, in a ...
Kanda Bongo Man chronology; Sai Liza (1988) Kwassa Kwassa (1989) Isambe Monie (1990) ... Martin Aston, reviewer of British music newspaper Music Week, left warm and ...
Kanda Bongo Man, another Paris-based artist, pioneered fast, short tracks conducive for play on dance floors worldwide, popularly known as kwassa kwassa, after the dance moves popularized in his and other artists' music videos. This music appealed to Africans and to new audiences as well.
It should only contain pages that are Kanda Bongo Man albums or lists of Kanda Bongo Man albums, as well as subcategories containing those things (themselves set categories). Topics about Kanda Bongo Man albums in general should be placed in relevant topic categories .
By the beginning of the 1990s, many of the most popular musicians of the classic era had lost their edge or died, and President Mobutu's regime continued to repress indigenous music, reinforcing Paris' status as a center for Congolese music. Pepe Kalle, Kanda Bongo Man and Rigo Starr were all Paris-based and were among the most popular ...
The dance was popularized by soukous music videos, as well as the videos of Kanda Bongo Man, Pepe Kalle, Viva La Musica, and other Congolese musicians. For the first time in Congo, all the groups adopted these dance steps. This had not happened before because bands preferred to have their own specific dance.
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