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Cuban musicologist Mayra Martínez wrote that "the term salsa obscured the Cuban base, the music's history or part of its history in Cuba. And salsa was a way to do this so that Jerry Masucci, Fania and other record companies, like CBS, could have a hegemony on the music and keep the Cuban musicians from spreading their music abroad."
In Cuba, a popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s. Dancing Casino is an expression of popular social culture in Cuba and many Cubans consider casino a part of their social and cultural activities centering on ...
This type of music has a festive, lively style and is marked by jocular, mischievous lyrics. Pachanga originated in Cuba in the 1950s and played an important role in the evolution of Caribbean style music as it is today. Considered a prominent contributor to the eventual rise of salsa, Pachanga itself is an offshoot music played by charangas.
After the Cuban Revolution separated Cuba from the U.S., son, mambo and rumba, along with other forms of Afro-Cuban music contributed to the development of salsa music, initially in New York. [ 36 ] The mass popularization of son music led to an increased valorization of Afro-Cuban street culture and of the artists who created it.
One day in 1957, Cachao gathered a group of musicians in the early hours of the morning (from 4 to 9 AM), energized from playing gigs at Havana's popular nightclubs, to jam in front of the mics of a recording studio. [6] The resulting descargas, known to music aficionados worldwide as Cuban jam sessions, revolutionized Afro-Cuban popular music.
Pacheco was one of the leading exponents of pachanga, a blend of Cuban rhythms and Dominican merengue in the late 1950s. He popularized the use of the term "salsa" and established the Fania All-Stars to showcase the leading artists of the genre, [3] which propelled him to worldwide fame and had an important role in the evolution of Latin music. [4]
Among many others, some utilizations of the term "rumba" include a cover-all term for faster Cuban music which started in the early 1930s with "The Peanut Vendor". This term was replaced during the 1970s by salsa, which is also a cover-all term for marketing the Cuban music and other Hispano-Caribbean genres to non-Cubans. In the international ...
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.