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Cuban musicologist Mayra Martínez wrote that "the term salsa obscured the Cuban base, the music's history or part of its history in Cuba. And salsa was a way to do this so that Jerry Masucci, Fania and other record companies, like CBS, could have a hegemony on the music and keep the Cuban musicians from spreading their music abroad."
In Cuba, a popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s. Dancing Casino is an expression of popular social culture in Cuba and many Cubans consider casino a part of their social and cultural activities centering on ...
This type of music has a festive, lively style and is marked by jocular, mischievous lyrics. Pachanga originated in Cuba in the 1950s and played an important role in the evolution of Caribbean style music as it is today. Considered a prominent contributor to the eventual rise of salsa, Pachanga itself is an offshoot music played by charangas.
Trova is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as trovadores who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. [1]
Salsa music (3 C, 24 P) Son cubano (5 C, 6 P) Pages in category "Cuban styles of music" The following 36 pages are in this category, out of 36 total.
Pacheco was one of the leading exponents of pachanga, a blend of Cuban rhythms and Dominican merengue in the late 1950s. He popularized the use of the term "salsa" and established the Fania All-Stars to showcase the leading artists of the genre, [3] which propelled him to worldwide fame and had an important role in the evolution of Latin music. [4]
Under cornetist Pablo Valenzuela, the band became one of the earliest to record Cuban music, in 1906 with Edison cylinders (about 40), 1909 with Columbia Records (23) and with Victor (56). [7] [8] The last recordings were in 1919; there were about 120 numbers in all, most of which were danzones. The band dispersed after his death.
Salsa romántica (Spanish of 'romantic salsa') is a soft form of salsa music that emerged between the mid-1980s and early 1990s in New York City, Puerto Rico, and the Dominican Republic. It has been criticised for it being supposedly a pale imitation of "real" salsa, often called " salsa dura ".