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YAML version 1.2 is a superset of JSON; prior versions were not strictly compatible. For example, escaping a slash / with a backslash \ is valid in JSON, but was not valid in YAML. [46] YAML supports comments, while JSON does not. [46] [44] [21]
YAML (/ ˈ j æ m əl /, rhymes with camel [4]) was first proposed by Clark Evans in 2001, [15] who designed it together with Ingy döt Net [16] and Oren Ben-Kiki. [16]Originally YAML was said to mean Yet Another Markup Language, [17] because it was released in an era that saw a proliferation of markup languages for presentation and connectivity (HTML, XML, SGML, etc.).
Tom's Obvious, Minimal Language (TOML, originally Tom's Own Markup Language [2]) is a file format for configuration files. [3] It is intended to be easy to read and write due to obvious semantics which aim to be "minimal", and it is designed to map unambiguously to a dictionary .
JSON is a subset of YAML 1.2. Every valid JSON document is also a valid YAML 1.2 document. That said: It is a proper superset. Not all YAML documents can be represented as JSON. Even if a YAML document could be represented as JSON, YAML implementations are not required to emit JSON. Some implementations may support this via configuration.
The first (XML 1.0) was initially defined in 1998. It has undergone minor revisions since then, without being given a new version number, and is currently in its fifth edition, as published on November 26, 2008. It is widely implemented and still recommended for general use.
Samson Stages Brooklyn's Premier Video Production Facility & Soundstage, A Level 2 Qualified Production Facility. The Nutroaster: former home of Worst Cooks in America, Beat Bobby Flay, and Orange is the New Black. The Seltzer Room Studios, production stage for I Origins, The Big Sick, and Sleepwalk With Me.
Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records.Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track ...