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The six-part fugue in the "Ricercar a 6" from The Musical Offering, in the hand of Johann Sebastian BachIn classical music, a fugue (/ f juː ɡ /, from Latin fuga, meaning "flight" or "escape" [1]) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches ...
The text, however, was written on the subject "So you want to write a fugue?" Both the text and the music are parodies of the rules and compositional techniques of the genre, as well as the relationship between intellectual methods and artistic intuition in the creative process (e.g., "Just forget the rules, and write one").
The Art of Fugue, or The Art of the Fugue (German: Die Kunst der Fuge), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach. Written in the last decade of his life, The Art of Fugue is the culmination of Bach's experimentation with monothematic instrumental works.
Fugue subject is 19 notes long, 20 if you count the 8th rest in the beginning. The subject ends on a E in Voice 1, ends on B in voice 2. Now, back to Theme B. If Theme B is used consistently during the course of the fugue to accompany subject entries, then Theme B is called a counter-subject. If Theme B is developed in a fugal fashion and is ...
A fugue usually has two main sections: the exposition and the body. In the exposition, each voice plays its own adaptation of the theme, in either a subject or an answer; they also provide countersubjects (counterpoints) to the following voices as they enter. [7] The exposition usually ends on either a I or V chord, and is then followed by the ...
Here the composer develops the subject by writing variations either melodically or harmonically. This usually involves the alternation of episodes with statements of the theme, similar to the development of a fugue. In minor- and major-mode inventions, the theme is typically restated in the relative major and the dominant, respectively.
A fugue subject of above-average length andante At a walking pace (i.e. at a moderate tempo) andantino Slightly faster than andante (but earlier it is sometimes used to mean slightly slower than andante) ängstlich (Ger.) Anxiously anima Soul; con anima: with feeling animandosi Progressively more animated animato Animated, lively antiphon
The countersubject usually contrasts with the subject/answer phrase shape. In a fugue, a countersubject is "the continuation of counterpoint in the voice that began with the subject", occurring against the answer. [13] It is not usually regarded as an essential feature of fugue, however. [14] The typical fugue opening resembles the following: [13]