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Musical notation of "Le Réveil" from French military rules book published July, 29 1884 "Reveille" (US: / ˈ r ɛ v əl i / REV-əl-ee, UK: / r ɪ ˈ v æ l i / rih-VAL-ee), [1] called in French "Le Réveil" is a bugle call, trumpet call, drum, fife-and-drum or pipes call most often associated with the military; it is chiefly used to wake military personnel at sunrise.
It is sometimes called the "Reveille" [1] or the "Levet". [2] Despite often being referred to by the name "Reveille", "The Rouse" is actually a separate piece of music from the traditional "Reveille". "The Rouse" was traditionally played following "Reveille", which was a bugle call played in the morning to wake soldiers up.
Laced is the debut album by American nu metal band Reveille. [4] [5] [6] It was released on June 22, 1999, through Elektra Records. The album contains the majority of the songs from the six-track demo that initially got the attention of major label Elektra. [7] The band members were all between the ages of 16 and 19 when the album was recorded. [8]
Bleed the Sky is the second and final album released by the nu metal band Reveille from Harvard, Massachusetts. It was originally released on September 18, 2001 through Elektra Records . The album's initial 2001 release featured 13 tracks with the track "What You Got" being the first single.
Reveille's follow-up album, Bleed the Sky was released in 2001. The album featured appearances from Taproot singer Stephen Richards and Cold singer Scooter Ward ; the collaboration for which Reveille achieved Billboard success with their song "Inside Out (Can You Feel Me Now)".
For ceremonial use, the "Last Post" is often followed by "The Rouse", or less frequently the longer "Reveille". [2] [3] The two regimental traditions have separate music for the call. [4] While the B♭ infantry bugle version is better known, the E♭ cavalry trumpet version is used by the state trumpeters of the Household Cavalry.
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The Pittsburgh Post-Gazette noted that it is "arguably [Run the Jewels]' most popular song"; [11] similarly, The Daily Reveille declared it to be "(a)rguably the best song on (the album)", lauding de la Rocha's contributions to the song — in particular the "arresting hook at the beginning". [12]