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Terry Riley is a seminal composer and performer of the loop- and ostinato-based music who began using tape loops in 1960. For his 1963 piece Music for The Gift he devised a hardware looper that he named the Time Lag Accumulator, consisting of two tape recorders linked together, which he used to loop and manipulate trumpet player Chet Baker and ...
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In music, a repeat sign is a sign that indicates a section should be repeated. If the piece has one repeat sign alone, then that means to repeat from the beginning, and then continue on (or stop, if the sign appears at the end of the piece). A corresponding sign facing the other way indicates where the repeat is to begin.
The Phonogene, a 1940s instrument which plays back sounds from tape loops. In the 1940s, the French composer Pierre Schaeffer developed musique concrète, an experimental form of music created by recording sounds to tape, splicing them, and manipulating them to create sound collages.
Acid Pro (often stylized ACID) is a professional digital audio workstation (DAW) software program currently developed by Magix Software.It was originally called Acid pH1 and published by Sonic Foundry, later by Sony Creative Software as Acid Pro, and since spring 2018 by Magix as both Acid Pro and a simplified version, Acid Music Studio.
Live looping is the recording and playback of a piece of music in real-time [1] using either dedicated hardware devices, called loopers or phrase samplers, or software running on a computer with an audio interface. Musicians can loop with either looping software or loop pedals, which are sold for tabletop and floor-based use.
The included features are free sound loops, a Beatbox, 3 instruments, 6 effects, and 8 tracks. Music Maker 2023 Plus: The plus edition of the music software and currently download-only. The included features are free sound loops, 1 soundpool, and 1 collection, a Beatbox, 5 instruments, 20 effects, and unlimited tracks. Music Maker 2023 Premium ...
The use of tape loops in popular music dates back to Jamaican dub music in the 1960s. Dub producer King Tubby used tape loops in his productions, while improvising with homemade delay units. Another dub producer, Sylvan Morris, developed a slapback echo effect by using both mechanical and handmade tape loops.