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In music, the conclusion is the ending of a composition and may take the form of a coda or outro. Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected ...
"Thanatos -If I Can't Be Yours-" is a song composed for The End of Evangelion and used as the end credits music. The single, with English lyrics sung by the duo Loren&Mash, was released on 1 August 1997. It reached number two on the Oricon charts, [115] sold 600 thousand copies [114] and was certified platinum.
Subsequent spin-offs Ricky & Bianca, Perfectly Frank and EastEnders: Slaters in Detention have used the softer guitar version. 2010 internet spin-off EastEnders: E20 features a new remix of the theme tune, which was chosen by producer Deborah Sathe, executive producer Diederick Santer, Simon May, director Michael Keillor and BBC Radio 1Xtra's ...
Jane’s Addiction playing Stanhope, New Jersey in 1991. From left, Dave Navarro on electric guitar, a Greek goddess on fruit, Eric Avery on bass guitar, and singer Perry Farrell on mouth.
"United Breaks Guitars" is a trio of protest songs by Canadian musician Dave Carroll and his band, Sons of Maxwell. It chronicles a real-life experience of how his guitar was broken during a trip on United Airlines in 2008 and the obstructively uncooperative reaction from the airline.
Thief (1981) is the fifteenth major release and second soundtrack album by Tangerine Dream.It is the soundtrack for the 1981 American neo-noir crime film Thief, directed by Michael Mann. [2]
The Bleach anime opening and ending credits songs have been selected from a diverse group of bands including Orange Range, UVERworld, High and Mighty Color, Beat Crusaders, YUI, Aqua Timez, Asian Kung-Fu Generation, Kelun, SCANDAL, Porno Graffitti, miwa, SID, ViViD, Rie Fu, Home Made Kazoku, Younha, SunSet Swish, Ikimono-gakari, JUNE, Mai ...
Charles Burkhart suggests that the reason codas are common, even necessary, is that, in the climax of the main body of a piece, a "particularly effortful passage", often an expanded phrase, is often created by "working an idea through to its structural conclusions" and that, after all this momentum is created, a coda is required to "look back" on the main body, allow listeners to "take it all ...