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In balanced audio systems, there are equal and opposite signals (difference-mode) in inputs, and any interference imposed on both leads will be subtracted, canceling out that interference (i.e., the common-mode). CMRR is a measure of a system's ability to ignore such interference and especially hum at its input.
Orchestral enhancement is the technique of using orchestration techniques, architectural modifications, or electronic technologies to modify the sound, complexity, or color of a musical theatre, ballet or opera pit orchestra. Orchestral enhancements are used both to create new sounds and to add capabilities to existing orchestral ensembles.
While the words analog audio usually imply that the sound is described using a continuous signal approach, and the words digital audio imply a discrete approach, there are methods of encoding audio that fall somewhere between the two. Indeed, all analog systems show discrete (quantized) behaviour at the microscopic scale. [52]
Decibels relative to full scale (dBFS or dB FS) is a unit of measurement for amplitude levels in digital systems, such as pulse-code modulation (PCM), which have a defined maximum peak level. The unit is similar to the units dBov and decibels relative to overload ( dBO ).
Audiometry (from Latin audīre 'to hear' and metria 'to measure') is a branch of audiology and the science of measuring hearing acuity for variations in sound intensity and pitch and for tonal purity, involving thresholds and differing frequencies. [1]
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Audio engineers use dynamic range to describe the ratio of the amplitude of the loudest possible undistorted signal to the noise floor, say of a microphone or loudspeaker. [18] Dynamic range is therefore the signal-to-noise ratio (SNR) for the case where the signal is the loudest possible for the system. For example, if the ceiling of a device ...