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  2. Biscuit porcelain - Wikipedia

    en.wikipedia.org/wiki/Biscuit_porcelain

    A popular use for biscuit porcelain was the manufacture of bisque dolls in the 19th century, where the porcelain was typically tinted or painted in flesh tones. In the doll world, "bisque" is usually the term used, rather than "biscuit". [4] Parian ware is a 19th-century type of biscuit. Lithophanes were normally made with biscuit.

  3. Biscuit (pottery) - Wikipedia

    en.wikipedia.org/wiki/Biscuit_(pottery)

    A bisque porcelain bust. Biscuit [1] [2] [3] [4] (also known as bisque) refers to any pottery that has been fired in a kiln without a ceramic glaze.This can be a ...

  4. China painting - Wikipedia

    en.wikipedia.org/wiki/China_painting

    The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience. Typically the body is first fired in a kiln to convert it into a hard porous biscuit or bisque .

  5. Underglaze - Wikipedia

    en.wikipedia.org/wiki/Underglaze

    Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.

  6. Overglaze decoration - Wikipedia

    en.wikipedia.org/wiki/Overglaze_decoration

    Diameter 18.8 cm. Nabeshima ware plate with floral design, Arita, Japan, late 17th century, Edo period. Overglaze decoration , overglaze enamelling , or on-glaze decoration, is a method of decorating pottery , most often porcelain , where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a ...

  7. Doucai - Wikipedia

    en.wikipedia.org/wiki/Doucai

    Small cup with the "Five Treasures", Chenghua reign mark, 2.9 × 7 cm, PDF.767. Doucai (Chinese: 斗彩; Wade–Giles: tou-ts'ai) is a technique in painting Chinese porcelain, where parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then glazed and fired.

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