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Visual schedules use a series of pictures to communicate a series of activities or the steps of a specific activity. [1] [2] They are often used to help children understand and manage the daily events in their lives. [3] They can be created using pictures, photographs, or written words, depending upon the ability of the child.
Hyman also reviewed the auto-Ganzfeld experiments and discovered a pattern in the data that implied a visual cue may have taken place: The most suspicious pattern was the fact that the hit rate for a given target increased with the frequency of occurrence of that target in the experiment.
A cue is some organization of the data present in the signal which allows for meaningful extrapolation. For example, sensory cues include visual cues, auditory cues, haptic cues, olfactory cues and environmental cues. Sensory cues are a fundamental part of theories of perception, especially theories of appearance (how things look).
Pythagorean Method of Memorization (PYMOM), also known as Triangular Movement Cycle (TMC), is a game-based, educational methodology or associative-learning technique that primarily uses corresponding information, such as terms and definitions on opposing sides, displayed on cue cards, to exploit psychological retention of information for academic study and language acquisition.
Notes or cue cards, on the other hand, require the presenter to look at them instead of at the lens, which can cause the speaker to appear distracted, depending on the degree of deflection from the natural line of sight to the camera lens, and how long the speaker needs to glance away to glean the next speaking point; speakers who can ...
A cue mark, also known as a cue dot, a cue blip, a changeover cue [a] or simply a cue, is a visual indicator used with motion picture film prints, usually placed in the upper right corner of a film frame. [1] Cue dots are also used as a visual form of signalling on television broadcasts.
Occasionally, cue cards are incorporated into music videos as an artistic element themselves, as, for example, by Bob Dylan in his 1965 song "Subterranean Homesick Blues", by the Australian band INXS in their 1987 song "Mediate", [10] by "Weird Al" Yankovic in his 2003 song "Bob" or by the German band Wir sind Helden in their 2005 song "Nur ein Wort []" (Just one word).
Unsurprisingly, logographic cues tend to be processed in the right brain hemisphere, the side more actively engaged with visuospatial input. Due to advances in technology and the media where logographic cues such as brand logos abound, the ability and tendency to draw meaning from pictures has become more widespread and intuitive. [citation needed]
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