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Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing.
Rollins visited Cui and Wang's shadow figure museum in Beijing as well as seven provinces that had historically specialized in shadow puppetry. She took lessons in manipulating shadow puppets from the master of the Zhonghua Shadow Company along with many others. [1] While in Beijing, Rollins created and performed two shadow bike tours.
The French entertainer Félicien Trewey was interested in the art of Chinese shadow puppetry called Ombres Chinoises (known in china as the pi ying xi(皮影戏)), which means "Chinese shadows". He popularized the art of hand shadows when he developed shadows of famous silhouettes.
There were two distinct forms of shadow puppetry, Pekingese (northern) and Cantonese (southern). The two styles were differentiated by the method of making the puppets and the positioning of the rods on the puppets, as opposed to the type of play performed by the puppets. Both styles generally performed plays depicting great adventure and ...
The Kaohsiung Museum of Shadow Puppet (traditional Chinese: 高雄市皮影戲館; simplified Chinese: 高雄市皮影戏馆; pinyin: Gāoxióng Shì Píyǐngxì Guǎn) is a museum in Gangshan District, Kaohsiung, Taiwan.
Wayang shadow plays are usually tales from the two major Hindu epics, the Ramayana and Mahabharata. The puppet master contextualizes stories from the plays, making them relevant to current community, national, or global issues. Gamelan players respond to the direction of the dalang. Gallery of Wayang Kulit
Lotte Reiniger was born in the Charlottenburg district of Berlin on 2 June 1899 to Carl Reiniger and Eleonore Lina Wilhelmine Rakette. [4] Here, she studied at Charlottenburger Waldschule, the first open-air school, where she learned the art of scherenschnitte, the German art of silhouette, inspired by the ancient Chinese art of paper cutting and silhouette puppetry. [5]
While most shadow puppets cast black silhouettes from behind a screen, motekar shadow puppets can be in full color. They use plastic materials, transparent dyes, a special light system, and a special type of screen to make this happen. Motekar puppet shows can be performed by one or several puppeteers and usually feature music, singing, and a ...
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