Search results
Results from the WOW.Com Content Network
In the words of Peter Gradenwitz, from this period onwards, the issue is "no longer the story of Jewish music, but the story of music by Jewish masters." [24] Jacques Offenbach (1819–1880), a leading composer of operetta in the 19th century, was the son of a cantor, and grew up steeped in traditional Jewish music. Yet there is nothing about ...
Klezmer (Yiddish: קלעזמער or כּלי־זמר) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. [1] The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions.
The music of Israel is a combination of Jewish and non-Jewish music traditions that have come together over the course of a century to create a distinctive musical culture. For almost 150 years, musicians have sought original stylistic elements that would define the emerging national spirit. [ 1 ]
Religious Jewish Music in the 20th century has spanned the gamut from Shlomo Carlebach's nigunim to Debbie Friedman's Jewish feminist folk, to the many sounds of Daniel Ben Shalom. Velvel Pasternak has spent much of the late 20th century acting as a preservationist and committing what had been a strongly oral tradition to paper.
[2] [3] [4] While perceived to be an Israeli folk song, [2] British music journalist Norman Lebrecht stated that the melody of "Hevenu shalom aleichem" originated among Hasidic Jews in Romania. [4] The Hebrew-language text of the song was added to the traditional Hasidic melody by Jews in Palestine prior to the establishment of Israel in 1948. [2]
In America, aside from America's own Yiddish theatres, songwriters and composers employed Yiddish folk and theatre songs, along with synagogue modes and melodies, as material for the music of Tin Pan Alley, Broadway and Hollywood. [4] [5] Irving Berlin was one of the popular composers to move from Yiddish song to English songs. [6]
Finally, many non-Jewish (mostly, but not all, Russian) composers have composed classical music with clear Jewish themes and inspiration, such as Max Bruch , Sergei Prokofiev (Overture on Hebrew Themes), Maurice Ravel (Chanson hébraïque in Yiddish, Deux mélodies hébraïques – including "Kaddisch" in Aramaic and "Fregt di velt di alte ...
Jewish liturgical music is characterized by a set of musical modes.. The prayer modes form part of what is known as the musical nusach (tradition) of a community, and serve both to identify different types of prayer and to link those prayers to the time of year or even time of day in which they are set.