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"Let It Whip" is a 1982 single by Dazz Band and their biggest hit, peaking at number one on the R&B chart for five non-consecutive weeks. [2] The single also reached number two on the Dance chart [ 3 ] and number five on the Billboard Hot 100 chart. [ 4 ]
The album's title track began a string of hits starting in March 1981. The group's next album Let the Music Play (1981) [2] featured the single "Knock! Knock!" which reached the top 50. Dazz Band's breakthrough came with the hit "Let It Whip", [2] written and produced by Reggie Andrews, from their Keep It Live (1982) album. [2] "
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F♯, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
"Whip It!" is a single by American rapper LunchMoney Lewis featuring Chloe Angelides. It was released on August 7, 2015. It was released on August 7, 2015. The song contains samples from the 1980s song, " Let It Whip " by the Dazz Band .
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
"Whip It" is a song by American rapper BigXthaPlug from the deluxe edition of his debut studio album Amar (2023). Produced by BandPlay and Tony Coles, it contains a sample of " Let It Whip " by the Dazz Band .
"It's Gonna Take a Miracle" is a song written by Teddy Randazzo, Bobby Weinstein, and Lou Stallman. It was first an R&B hit in 1965 for The Royalettes, which reached the Top 30 on the U.S. R&B chart and peaked at number 41 on the Billboard Hot 100 and number 37 on Cash Box.
The information in the specific section Concert_pitch#Controversial_claims_for_432_Hz first redirected to was not a good representation of the subject. 432 Hz is not only a controversial claim, but also has uncontroversial historical use. Much more info on explicitly 432 Hz exist in both articles Concert pitch and Scientific pitch.