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In filmmaking, Foley [a] is the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality. [1] Foley is named after sound-effects artist Jack Foley. [2] Foley sounds are used to enhance the auditory experience of a movie.
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media.
Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)
Year Film Winners/Nominees 2010 [1] [2] [3]Best Sound Editing – Direct to Video – Animation Family Guy: It's a Trap! Bob Newlan (supervising sound editor); Andrew Ellerd (sound designer); Stuart Martin (sound effects editor); Mark Eklund (dialogue editor); Patrick S. Clark, Stan Jones, Douglas M. Lackey (music editors); Dale W. Perry (Foley artist)
As far back as Ancient Greece, sound effects have been used in entertainment productions. Sound effects (also known as sound FX, SFX, or simply FX) are used to enhance theatre, radio, film, television, video games, and online media. Sound effects were originally added to productions by creating the sounds needed in real-time.
Jack Donovan Foley (April 12, 1891 – November 9, 1967) [2] was an American sound effects artist who was the developer of many sound effect techniques used in filmmaking.He is credited with developing a unique method for performing sound effects live and in synchrony with the picture during a film's post-production.
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