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Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry. [1] Visual poetry focuses on playing with form, which means it often takes on various art styles.
Some poets chose to write poems specifically for children, often to teach moral lessons. Many poems from that era, like "Toiling Farmers", are still taught to children today. [3] In Europe, written poetry was uncommon before the invention of the printing press. [4] Most children's poetry was still passed down through the oral tradition.
Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. [1] It is sometimes referred to as visual poetry , a term that has now developed a distinct meaning of its own.
"Twinkle, Twinkle, Little Star" is an English lullaby. The lyrics are from an early-19th-century English poem written by Jane Taylor, "The Star". [1] The poem, which is in couplet form, was first published in 1806 in Rhymes for the Nursery, a collection of poems by Taylor and her sister Ann.
"Charles" is a short story by Shirley Jackson, first published in Mademoiselle in July 1948. It was later included in her 1949 collection, The Lottery and Other Stories, and her 1953 novel, Life Among the Savages.
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Like allegorical stories, allegorical poetry has two meanings – a literal meaning and a symbolic meaning. Some unique specimens of allegory can be found in the following works: Edmund Spenser – The Faerie Queene: The several knights in the poem actually stand for several virtues. [27]