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Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics.
Naing Myanmar (Burmese: နိုင်မြန်မာ; born 1956/1957 [1]) is a Burmese musician notable for writing "Kabar Ma Kyay Buu " (Burmese: ကမ္ဘာမကြေဘူး), a protest song used during Myanmar's 8888 Uprising and again throughout the 2021 Myanmar coup d'état.
Benjamin Sum (Burmese: ဘင်ဂျမင်ဆုမ်း; born 27 November 2000) is a Burmese singer of ethnic Chin descent. [1] He rose to public recognition following his finish as the runner-up on the fourth season of Myanmar Idol.
The Myanmar Music Asiayon (MMA) was established by the SLORC to further censor Burmese-produced music. Popular musicians including Zaw Win Htut and Sai Htee Saing have produced propaganda albums written by military officers such as Mya Than San.
Hsaing waing ensemble is seen behind the singers. The hsaing waing (Burmese: ဆိုင်းဝိုင်း, pronounced [sʰáiɰ̃ wáiɰ̃]; also spelt saing waing), commonly dubbed the Burmese traditional orchestra (မြန်မာ့ဆိုင်း), is a traditional Burmese folk musical ensemble that accompanies numerous forms of rituals, performances, and ceremonies in modern ...
On 27 June 1936, the Dobama Song was declared as the national anthem of Burma at the second conference of Dobama Asiayon held in Myingyan. [6] Since then, Burmese nationalist sang Dobama Song instead of God Save the King. The State of Burma, a Japanese puppet state, officially adopted the Dobama Song as its state anthem in 1943. [7]
Sai Sai Kham Leng was born on 10 April 1979 in Taunggyi, Shan state, Myanmar to Kham Leng and Cho Cho San Tun of an ethnic Shan aristocratic family. His great-grandfather Sao San Tun, Saopha of Mongpawn, was a signatory to the 1947 Panglong Agreement and one of nine senior government officials assassinated on 19 July 1947.
In 1950 he worked as a music director at Win Win Theater. Ko Ko led a group of film and music artists as a musical movement to perform at the signing ceremony of the Sino-Burmese border in 1960 in Beijing, China. He became chairman of the Myanmar Music Council in 1966. In 1989, he co-founded the Wazira Theater Company and performed Wazira plays.