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Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
A typical video might include footage of waves rolling over the beach accompanied by soft ambient music. Some additional examples might include movement of water, sunrise or sunset, or slow movement such as that of a jellyfish. Ambient video can be the subject of focus or alternatively run unobtrusively in the background.
Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [ 1 ] and encompasses instrumental recordings of standards , hit songs , non- rock vocals and instrumental covers of selected popular rock songs.
Ambient music may have elements of new-age music and drone music, as some works may use sustained or repeated notes. [15] Minimoog Voyager XL, owned by Brian Eno. Ambient music did not achieve large commercial success, being criticized as everything from "dolled-up new age, [..] to boring and irrelevant technical noodling". [16]
The term can also be used for kinds of easy listening, [7] lounge, piano solo, jazz or middle of the road music, or what are known as "beautiful music" radio stations.. This style of music is sometimes used to comedic effect in mass media such as film, where intense or dramatic scenes may be interrupted or interspersed with such anodyne music while characters use an elevator.
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music [1] to predominantly ballad-heavy music of the 1980s to the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence.
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Taylan Susam (born November 18, 1986) is a Turkish-Dutch composer of experimental music.He is a member of the Wandelweiser group, [1] which has been described by The New Yorker as "an informal network of twenty or so experimental-minded composers who share an interest in slow music, quiet music, spare music, fragile music."
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