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Fernando Sor (baptised 14 February 1778 – 10 July 1839) was a Spanish classical guitarist and composer of the late Classical era and early Romantic era.Best known for writing solo classical guitar music, he also composed an opera (at the age of 19), three symphonies, guitar duos, piano music, songs, a Mass, and at least two successful ballets: Cinderella, which received over one hundred ...
Joaquín Rodrigo (1901–1999), 20th-century composer, wrote the Concierto de Aranjuez for classical guitar and orchestra; Antonio Rodríguez de Hita (1722–1787), composer; Antonio Ruiz-Pipò (1934–1997), 20th-century composer for the guitar
The Concierto de Aranjuez ([konˈθjeɾ.to ðe a.ɾaŋˈxweθ], "Aranjuez Concerto") is a concerto for classical guitar by the Spanish composer Joaquín Rodrigo. Written in 1939, it is by far Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the 20th century.
The more extended works require a virtuoso technique and left-hand stretches that are almost impossible on the longer string lengths of modern guitars. (See Frederick Noad, "The Classical Guitar") Aguado returned home to Madrid in 1837 and died there aged 65. [1] Aguado's surname comes from the Spanish word for "soaked."
His compositions provide some of the most important examples of popular Spanish baroque music for the guitar and now form part of classical guitar pedagogy. Sanz's manuscripts are written as tablature for the baroque guitar and have been transcribed into modern notation by numerous guitarists and editors; Emilio Pujol's edition of Sanz's Canarios being a notable example.
Pages in category "Spanish classical guitar" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. * Classical guitar; B.
The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so.
Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. [1] It requires the tremolo technique and is often performed by advanced players.