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The following is an alphabetical list of works of art that are often called by a non-English name in an English context. (Of course, many such titles are simply the names of people: Don Quixote, Irma la Douce, Madame Bovary, Tosca, Pelléas et Mélisande.
This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
Some artworks have had their museum label names changed as new art history research emerges [10] or as a modification of an offensive or pejorative name. [11] Curating institutions are responsible for thorough documentation of all title variants, including translations of an artwork title into one or more languages. [12]
Metropolitan Museum of Art, New York Marble height 97 cm Venus and Cupid (in Italian) c. 1491–1492: Palazzo Medici-Riccardi, Florence Marble 43,5x58 cm Gallino Crucifix (in Italian) c. 1495–1497: Bargello Museum, Florence Wood 41,3×39,7 cm Young Saint John the Baptist [5] c. 1495–1497: Sacred Chapel of El Salvador, Úbeda: Marble
Articles on works of art should be titled by the work’s common names, like other topics. Works of art that have official names usually use that name as the article title, (italicized, e.g. Works of art that have official names usually use that name as the article title, (italicized, e.g.
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
Philadelphia Museum of Art: Arles F 1427 JH 1525 Fishing Boats at Saintes-Maries: 31 July-6 August 1888 Solomon R. Guggenheim Museum, New York Arles F 1430a JH 1526 Harvest Landscape: 31 July-6 August 1888 National Gallery of Art, Washington D.C. Arles F 1486 JH 1527 Fishing Boats at Saintes-Maries-de-la-Mer: 31 July-6 August 1888 Saint Louis ...
[22] [23] In this way, the Rococo definitely raises in Western art the question of aestheticism, in the very ambiguity that surrounds its representational method and its essential goals, making clear the primordial convention that if painting exists, it exists for an observer and to be looked at, but handing over to future generations the ...
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