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The Mask of Agamemnon is a gold funerary mask discovered at the Bronze Age site of Mycenae in southern Greece. The mask, displayed in the National Archaeological Museum of Athens , has been described by the historian Cathy Gere as the " Mona Lisa of prehistory".
Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.
Gorgon blood was said to have both the power to heal and harm. Representations of full-bodied Gorgons and the Gorgon face, called a gorgoneion (pl. gorgoneia), were popular subjects in Ancient Greek, Etruscan and Roman iconography. While Archaic Gorgons and gorgoneia are universally depicted as hideously ugly, over time they came to be ...
Tragic mask in bronze, attributed to Silanion. Museum of Piraeus, Athens, Greece. Plato, Roman copy of Silanion's work (Glyptothek, Munich). Silanion (Ancient Greek: Σιλανίων, gen. Σιλανίωνος) was the best-known of the Greek portrait-sculptors working during the fourth century BC. [1]
It was called "tears of Isis" in ancient Egypt, and later called "Hera's tears". In ancient Greece it was dedicated to Eos Erigineia. In the early Christian era, folk legend stated that V. officinalis was used to staunch Jesus' wounds after his removal from the cross. It was consequently called "holy herb" or (e.g. in Wales) "Devil's bane".
The mask, constructed of layers of hardened papyrus, depicts a sky god, and paintings over the chest area feature the goddess of health. Images of area wildlife cover the feet.
The Ancient Greek term for a mask is prosopon (lit., "face"), [16] and was a significant element in the worship of Dionysus at Athens likely used in ceremonial rites and celebrations. Many masks worshipped the higher power, the gods, making masks also very important for religion.
In ancient Greece, grotesque, satyr-like bearded faces, sometimes with the pointed cap of the workman, were carved over the doors of ovens and kilns, to protect the work from fire and mishap. [18] Later, on churches and castles , gargoyles or other grotesque faces and figures such as sheela na gigs and hunky punks were carved to frighten away ...
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