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The word giclée was adopted by Jack Duganne around 1990. He was a printmaker working at Nash Editions.He wanted a name for the new type of prints they were producing on a modified Iris printer, a large-format, high-resolution industrial prepress proofing inkjet printer on which the paper receiving the ink is attached to a rotating drum.
A giclee is JUST an inkjet print. The very word 'Giclee' was invented to make a one-off print seem worth more $$ than it really is. I could make a Xerox copy of something and call it 'Tonee-Sublime`' and charge more money for it. Selling a Giclee for $500 is easier than selling an Epson Inkjet print for the same money, because people are stupid.
Typos can do more than damage the credibility of a publication. Penguin books in Australia recently had to reprint 7,000 copies of a now-collectible book because one of the recipes called for ...
Each print is considered an original, as opposed to a copy. The reasoning behind this is that the print is not a reproduction of another work of art in a different medium – for instance, a painting – but rather an image designed from inception as a print. An individual print is also referred to as an impression.
This shiny white metal is more valuable than gold. Demand has been skyrocketing recently, with the price more than doubling since early 2019. Like rhodium, palladium’s major use is in catalytic ...
Sometimes obsolete technology can be more valuable than its latest-gen counterpart. Take the original Apple-1 computer, which first went on the market in 1976: A fully functional model is worth up ...
When it comes to older prints, the condition of a print largely depends on the technique used to make the paper. Prints that are several hundred years old may be in better condition than prints that are less than 50 years old . [17] Many older prints will yellow or brown over time owing to acids in the paper and any matting or backing papers.
A proof of an etching by Hubert von Herkomer, without text, which would appear in the empty rectangular portion of the page above the artist's signature.. The term "proof" is generally, but not consistently, applied only to prints from the late eighteenth-century onwards, beginning with the English mezzotinters, who began the practice of issuing small editions of proofs for collectors, often ...