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Julius Caesar is seen as the main example of Caesarism, a form of political rule led by a charismatic strongman whose rule is based upon a cult of personality, whose rationale is the need to rule by force, establishing a violent social order, and being a regime involving prominence of the military in the government. [292]
A detailed analysis of the style of the Bellum Alexandrinum published in 2013 argues that "whereas the first part of the narrative of events in Alexandria (chh. 1-21) is particularly Caesarian, the conclusion of that panel (22-33), and the narratives of events in Illyricum (42-47), Spain (48-64), and Pontus (34-41, 65-78) are distinctly less so ...
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare. Occurring in Act III, scene II, it ...
A bust of Caesar in the Altes Museum, Berlin. The Anticato (sometimes Anti-Cato; Latin: Anticatones) is a lost polemic written by Julius Caesar in hostile reply to Cicero's pamphlet praising Cato the Younger. The text is lost and survives only in fragments.
De Analogia denotes the adherence to grammatical rules while not changing one's diction with current demotic usage. After the composition of his Commentarii de bello Gallico Caesar felt obligated to devise certain grammatical principles in reference to his commentaries, writing that "the choice of words is the fountain-head of eloquence."
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A recent computer-assisted stylistic analysis by Zhang and others (2018) of the five works in the Caesarian corpus confirms that books 1–7 of the Gallic War and 1–3 of the Civil War were written by the same author (presumably Caesar himself), but book 8 of the Gallic War, and the Alexandrian, African, and Spanish War commentaries appear to ...