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Opus clavicembalisticum is a work for solo piano, notable for its length and difficulty, composed by Kaikhosru Shapurji Sorabji and completed on 25 June 1930. [1]At the time of its completion, it was the longest piano piece in existence, taking around 4–4½ hours to play, depending on tempo.
Rush is the soundtrack album for the 1991 film of the same name. Written and performed by Eric Clapton , the soundtrack album includes the song " Tears in Heaven ," which won three Grammy awards in 1993.
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
Originally planned for inclusion on Rush's debut album, but scrapped in the end. The song has not been released in any format since the initial 1973 Moon Records release. Allegedly only 500 copies of the single were pressed. [7] [8] [10] "Finding My Way" Rush: 1974 Drummer: John Rutsey "Need Some Love" Rush: 1974 Drummer: John Rutsey "Take a ...
"Xanadu" is the first Rush song in which synthesizers play an integral part. Unlike the previous albums, 2112 and Caress of Steel, "Xanadu" uses both guitar and synthesizer effects. The song also marks Rush's clear foray into program music, although previous albums had displayed some elements of this. Subsequent albums during the late 1970s and ...
Music critics gave "Mission" good reviews. Metal Storm considered the song, along with " Lock and Key ", a classic moment from Hold Your Fire . [ 10 ] The song was called by Allmusic a "sheer beauty".
Also, the movie's theme song, James Rolleston's "Life is Lookin' Good," uses a variation of the music. Canadian progressive rock band Rush adopted the famous brass theme of 1812 Overture in their suite 2112, from their album of the same name. Significantly, other than being included in a similarly titled piece of music, Tchaikovsky's theme is ...
Lifeson says the guitar solo in the song is a "really hard solo to play", describing it as "frenetic and exciting" and "one of the most ambitious pieces of music Rush has ever done". [15] In his book Rush, Rock Music and the Middle Class: Dreaming in Middletown, Chris McDonald describes Lifeson's play as a "searing, rapid-fire" guitar solo. [16]
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