Search results
Results from the WOW.Com Content Network
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion.
Clash cymbals: Unpitched 111.142 Idiophone Better known as crash cymbals Claves: Unpitched 111.11 Idiophone Clavichord: Pitched 314.122-4-8 Chordophone Sound formed by striking the strings, but played as a keyboard instrument Cocktail drum: Unpitched Membranophone Conga: Cuba Unpitched 211.221.1 Membranophone Cowbell: Both 111.242 Idiophone
An effects cymbal is a cymbal used in a drum kit for a special effect or accent. Effects cymbals include splash cymbals, china cymbals and many other less common types. This classification is widely accepted but enigmatic. When pang and swish cymbals are used as ride cymbals they are not
Cymbals are usually notated with 'x' note heads, drums with normal elliptical note heads and auxiliary percussion with alternative note heads. [1] Non-pitched percussion notation on a conventional staff once commonly employed the bass clef , but the neutral clef (or "percussion clef"), consisting of two parallel vertical lines, is usually ...
A drum roll (or roll for short) is a technique used by percussionists to produce a sustained sound for the duration of a written note. [2]All drum figures are based upon three fundamental beats, technically called roll, single stroke, and flam...Sustentation is accomplished upon wind instruments by blowing into the instrument; it is accomplished upon the violin and the allied instruments by ...
The cymbals maintain contact at all times. The desired sound is a "sizzle then choke" effect. Cymbal parts are often split in the same manner as bass drum parts – each cymbalist plays one component of a larger part. Snare drummers may play on the cymbals as ride cymbals or like hi-hats.
Common stings may feature a short roll followed by a crash or splash cymbal and kick drum, a flam, or a rimshot. The notation shown here is an advanced example that uses a tom then kick, followed by a pause to put the final stroke offbeat, and a final stroke using both the snare and kick drums to support a one-handed cymbal choke , meaning all ...
The sound of rimshots can be described as "part normal snare and part loud, woody accent", [1] or "generally sharper, brighter and more cutting [than a standard accent]", [2] since the technique produces large amounts of overtones. [3] The stroke is used on the snare in rock, pop, Jazz, and blues and on the tom-toms in Afro-Cuban music.