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Seven sharps may refer to: C-sharp major, a major musical key with seven sharps; A-sharp minor, a minor musical key with seven sharps; Seven Sharp, ...
0 4 7 e: Major Major seventh sharp eleventh chord: ... Augmented Major sixth chord: Play ⓘ 4-26: 0 4 7 9: Major Major sixth ninth chord ("6 add 9", [2] Nine six, [3 ...
The augmented seventh chord, or seventh augmented fifth chord, [1] or seventh sharp five chord is a seventh chord composed of a root, major third, augmented fifth, and minor seventh (1, 3, ♯ 5, ♭ 7). [2] It can be viewed as an augmented triad with a minor seventh. [3] When using popular-music symbols, it is denoted by + 7, aug 7, [2] or 7 ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
In this case, the chord is viewed as a C major seventh chord (CM 7) in which the third note is an augmented fifth from root (G ♯), rather than a perfect fifth from root (G). All chord names and symbols including altered fifths, i.e., augmented (♯ 5, +5, aug5) or diminished (♭ 5, o 5, dim5) fifths can be interpreted in a similar way.
A piece in a major key might modulate up a fifth to the dominant (a common occurrence in Western music), resulting in a new key signature with an additional sharp. If the original key was C-sharp, such a modulation would lead to the theoretical key of G-sharp major (with eight sharps) requiring an F in place of the F ♯. This section could be ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
When used with chord symbols, the Roman numerals represent the root of a triad built on the associated scale step. In music theory based on the practices of the common practice period and its derivations the chord numerals are often written in upper case for chords in the major family, and in lower case for chords in the minor family, with the usual "m" or "—" minor chord quality suffix ...