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Aldus Manutius' italic, in a 1501 edition of Virgil. Italic is only used for the lower case and not for capitals. [1] In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. [2] [3] [4] Along with blackletter and roman type, it served as one of the major typefaces in the history of Western typography.
The "Included from" column indicates the first edition of Windows in which the font was included. Included typefaces with versions ... Bold, Italic, Bold Italic: Thai ...
It is available in bold, italic, and condensed, [2] as well as in a Cursive variant. [3] The original foundry font was commissioned and cast by American Type Founders and included a stylistic alternate, a capital ‹A› with a cross bar. [4] It was named after the designer's wife Lydia.
Italic script, also known as chancery cursive and Italic hand, is a semi-cursive, slightly sloped style of handwriting and calligraphy that was developed during the Renaissance in Italy. It is one of the most popular styles used in contemporary Western calligraphy.
Cursive italic penmanship—derived from chancery cursive—uses non-looped joins, and not all letters are joined. In italic cursive, there are no joins from g, j, q, or y, and a few other joins are discouraged. [5] [failed verification] Italic penmanship became popular in the 15th-century Italian Renaissance.
A ukase written in the 17th-century Russian chancery cursive. The Russian (and Cyrillic in general) cursive was developed during the 18th century on the base of the earlier Cyrillic tachygraphic writing (ско́ропись, skoropis, "rapid or running script"), which in turn was the 14th–17th-century chancery hand of the earlier Cyrillic bookhand scripts (called ustav and poluustav).
The Italian scribe Ludovico Vicentino degli Arrighi's 1522 influential pamphlet on handwriting called La Operina was the first book on writing the italic script known as cursive chancery hand. [6] He was a scribe in the Papal Curia, which had refined cursive chancery hand in its infancy during the latter half of the 15th century. [4]
Fonts normally do not include both oblique and italic styles: the designer chooses to supply one or the other. Since italic styles clearly look different than regular (roman) styles, it is possible to have "upright italic" designs that take a more cursive form but remain upright; Computer Modern is an example of a font that offers this style ...