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The Entombment of Christ (c. 1633-1635) by Rembrandt The Entombment of Christ is an oil-on-oak panel painting by Rembrandt believed to be dated around c. 1624. It measures 32.2 x 40.5 cm. The composition is a variant of a painting of the same subject now in the Alte Pinakothek, in Munich. In 1783, the Scottish anatomist William Hunter bequeathed it to University College (now the University of ...
The Jewish Bride (Dutch: Het Joodse bruidje) is a painting by Rembrandt, painted around 1665‒1669. [1]The painting gained its current name in the early 19th century, when an Amsterdam art collector identified the subject as that of a Jewish father bestowing a necklace upon his daughter on her wedding day.
The Raising of Lazarus, Rembrandt.Oil on panel. 37 15/16 x 32 in. (96.36 x 81.28 cm). c. 1630-1632. Los Angeles County Museum of Art. The Raising of Lazarus is an oil-on-panel painting by the Dutch artist Rembrandt from early in his career; it was probably painted between 1630 and 1632.
These famous quotes about marriage range from sweet and romantic quotes about love to funny and honest quotes that will make you and your spouse laugh. 55 quotes about marriage that range from ...
There are plenty of love quotes on this list that definitely fit the vibe. This one from Dr. Seuss always makes our hearts feel warm: “You know you’re in love when you can’t fall asleep ...
There are multiple versions of Rembrandt's Head of Christ which are in the possession internationally of cultural institutions and individuals. During the course of the 19th-century it was supposed that these similar heads were based on a "Jewish model" (leading some to suppose that Rembrandt himself was Jewish, since he lived in what was considered the Jewish quarter of Amsterdam).
The Scholar at the Lectern or The Father of the Jewish Bride is a 1641 oil on panel painting by the Dutch artist Rembrandt.With The Girl in a Picture Frame (also known as The Jewish Bride) and Landscape with the Good Samaritan, it is one of only three Rembrandt paintings in Polish collections.
— In the centre foreground, the Cross, to which Christ is fastened, is raised from the right by four executioners. The man on the left of the group wears a cuirass and helmet. The man in the centre, wearing a light blue coat, has the features and the familiar blue cap of the painter.