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Ernest Shand (born Ernest William Watson; 31 January 1868 – 29 November 1924) was an English performer and composer for the classical guitar, and a music-hall singer and actor. Biography [ edit ]
The first performance of the complete set of six songs was at a memorial service to Parry held in the chapel of Exeter College, Oxford on 23 February 1919, four months after his death. [1] Songs from the Songs of Farewell are now part of the repertoire of Anglican church music and are often sung as anthems at services in churches and cathedrals ...
Toot, Toot, Tootsie (Goo' Bye!) is a 1922 song with music and lyrics by Gus Kahn, Ernie Erdman and Danny Russo, [1] per the credits on the original sheet music cover. Some other sources also credit Ted Fio Rito and Robert King for the song, but make no mention of Dan Russo. [2] It debuted in the Broadway musical Bombo, where it was a major hit.
Song of Farewell (French: La chanson de l'adieu) is a 1934 historical musical drama film directed by Albert Valentin and Géza von Bolváry and starring Jean Servais, Janine Crispin and Lucienne Le Marchand. [1] It is based on the life of the composer Frédéric Chopin and his relationship with George Sand.
Others include settings by Grayson Warren Brown, Ernest Sands, and others. In Paradisum served as the inspiration for popular Protestant jazz piece " When the Saints Go Marching In ", which share the same first four notes, similar textual meaning, and use during the funeral procession of the body from the church to the cemetery in Black ...
Korngold later reworked this music into an orchestral suite Op. 11. [3] Die tote Stadt, ... ("Four Songs of Farewell") (1920–1921) Op. 15 – Piano Quintet in E ...
The result has a kind of musicological sweep that not only honors the cultural breadth of Ernest’s hometown — a city he loves enough that his and Royer’s 3-year-old son is named Ryman after ...
Songs of Farewell: Choir London, 21 March 1932 [7] 1930–32 II/10 Idyll: Once I passed through a populous city: Soprano & baritone soloists London, 3 October 1933 Music adapted from Margot la rouge; words from Walt Whitman; after the first performance, Delius expanded the work and renamed it Prelude and Idyll [7] [8]
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