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The early days of television introduced hour-long anthology drama series, many of which received critical acclaim. [6] [7] Examples include Kraft Television Theatre (debuted May 7, 1947), The Chevrolet Tele-Theatre (debuted September 27, 1948), Television Playhouse (debuted December 4, 1947), The Philco Television Playhouse (debuted October 3, 1948), Westinghouse Studio One (debuted November 7 ...
1940: The American Federal Communications Commission, (), holds public hearings about television; 1941: First television advertisements aired. The first official, paid television advertisement was broadcast in the United States on July 1, 1941, over New York station WNBT (now WNBC) before a baseball game between the Brooklyn Dodgers and the Philadelphia Phillies.
When television became popular in the late 1940s and 1950s, TV Westerns quickly became an audience favorite, with 30 such shows airing at prime time by 1959. Traditional Westerns faded in popularity in the late 1960s, while new shows fused Western elements with other types of shows, such as family drama, mystery thrillers, and crime drama.
The peak of this era is usually cited as during the 1930s and 1940s, attributed to the theatrical run of studios including Walt Disney Animation Studios, Warner Bros. Cartoons, Metro-Goldwyn-Mayer Cartoons, Paramount Cartoon Studios, Walter Lantz Productions, Terrytoons, and Fleischer Studios.
Similar to spy films, the heist or caper film included worldly settings and hi-tech gadgets, as in the original Ocean's Eleven (1960), Topkapi (1964) or The Thomas Crown Affair (1968). The spaghetti westerns (made in Italy and Spain), were typified by Clint Eastwood films, such as For a Few Dollars More (1965) or The Good, the Bad and the Ugly ...
Rear projection in color remained out of reach until Paramount introduced a new projection system in the 1940s. New matte techniques, modified for use with color, were for the first time used in the British film The Thief of Bagdad (1940). However, the high cost of color production in the 1940s meant most films were black and white. [1]
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Song Without End (1960) – biographical romance film telling the story of Hungarian pianist Franz Liszt, whose scandalous love affair forced him to abandon his adoring audiences [28] Spartacus (1960) – epic historical drama film about Spartacus, a slave who leads a rebellion against Rome and the events of the Third Servile War [29]