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Some of such commentators maintain that verses 39–40 are the verses that was from the Medinan period, while some say 81–82, and others say 83. [ 3 ] The traditional Egyptian chronology puts the chapter as the 41st chapter by the order of revelation (after At-Tur ), while the Nöldeke Chronology (by the orientalist Theodor Nöldeke ) puts it ...
Finally, in 1992, a full and authorized Baháʼí translation in English was published. [22] [23] This version is used as the basis of translation into many other languages [24] highlighting the practice of an indirect translation and how the purpose of the translation affects the act of translation. The Baháʼí Library Online provides a side ...
A verse is formally a single metrical line in a poetic composition. [1] However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas .
The word waka has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as chōka and sedōka (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre.
Waaqeffanna is an ethnic religion indigenous to the Oromo people in the Horn of Africa. [1] The word Waaqeffanna is derived from Waaq which is the ancient name for Creator in various Cushitic languages including the Oromo people and Somali people.
If [the verse ends with], ʾazīzun ḥakīm ('Mighty and Wise'), and you say samīʿun ʿalīm ('All-Hearing and All-Knowing'), then Allah is All-Hearing and All-Knowing." [ 16 ] Variants of the narration are included in the Musnad of Ahmad ibn Hanbal and the Sunan of Abu Dawud , with Ibn Hanbal's recension including the addition of ghafūran ...
Renga (連歌, linked poem) is a genre [1] of Japanese collaborative poetry in which alternating stanzas, or ku (句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets.
Christopher Shackle divides the work into five parts: [3]. the invocation of God; the loss of Anandpur; the battle of Chamkaur; the address to Aurangzeb; the conclusion; In this letter, Guru Gobind Singh reminds Aurangzeb how he and his soldiers had broken their oaths sworn upon the Qur'an, [7] when they promised safe passage to the Guru but launched a hidden attack of an army described as ...