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Jung's unique title logos for movies such as The Sand Pebbles, Super Fly, Gold and The Omen tie-in key elements that distill down the essence of the films into key art. Star Wars, Style A, 1977. As a freelance illustrator in 1977 working for the motion picture advertising boutique of Smolen, Smith and Connolly, Jung was chosen to work on Star Wars.
"The History of Star Wars Posters". Film School Rejects. Archived from the original on 19 June 2017; Titelman, Carol; Hoffman, Valerie, eds. (1979). The Art of Star Wars (1st ed.). New York: Ballantine Books. ISBN 0345282736
John Henry Alvin (November 24, 1948 [1] – February 6, 2008) [2] was an American cinematic artist and painter who illustrated many movie posters. [2] Alvin created posters and key art [1] for more than 135 films, beginning with the poster for Mel Brooks's Blazing Saddles (1974). [2]
File:Star Wars - Episode II Attack of the Clones (movie poster).jpg; File:Star Wars (1997 re-release poster).jpg; File:Star Wars Episode III Revenge of the Sith poster.jpg; File:Star Wars Phantom Menace poster.jpg; File:Star wars the clone wars.jpg; File:Star Wars The Force Awakens Theatrical Poster.jpg; File:StarWarsHS.jpg; File ...
Drew Struzan (/ ˈ s t r uː z ən /; born March 18, 1947 [1]) is an American artist, illustrator and cover designer.He is known for his more than 150 movie posters, which include The Shawshank Redemption, Blade Runner, E.T. the Extra-Terrestrial, as well as films in the Indiana Jones, Back to the Future, Harry Potter, and Star Wars film series. [2]
John Berkey (August 13, 1932 – April 29, 2008) was an American artist known for his space and science fiction themed works. Some of Berkey's best-known work includes much of the original poster art for the Star Wars trilogy, the poster for the 1976 remake of King Kong and also the "Old Elvis Stamp".
The Art of Star Wars is a series of books by various editors featuring concept art from the Star Wars motion picture saga. The books mainly feature artwork accompanied by a short explanation of the scene and the artist's ideas, but also script notes, posters and other information.
On review aggregator Rotten Tomatoes, the film holds an approval rating of 50% based on 10 reviews, with an average rating of 5.75/10. [4] On Metacritic, the film has a weighted average score of 59 out of 100, based on 7 critics, indicating "mixed or average reviews".
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