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" Ach Gott, vom Himmel sieh darein" ("Oh God, look down from heaven") is a Lutheran chorale of 1524, with words written by Martin Luther paraphrasing Psalm 12. It was published as one of eight songs in 1524 in the first Lutheran hymnal , the Achtliederbuch, which contained four songs by Luther, three by Speratus , and one by Justus Jonas .
" Was mein Gott will, das g'scheh allzeit" (What my God wants should always happen) is a Lutheran hymn in German. The text from c. 1550 is attributed to Albert, Duke of Prussia . The melody, Zahn No. 7568, [ 1 ] goes back to a tune by Claudin de Sermisy , written in 1529 for a secular French song.
Ach Gott, vom Himmel sieh darein (Oh God, look down from heaven), [1] BWV 2, is a chorale cantata composed by Johann Sebastian Bach for the second Sunday after Trinity in 1724. First performed on 18 June in Leipzig , it is the second cantata of his chorale cantata cycle .
Johann Sebastian Bach set the first stanza of "Vom Himmel hoch" as one of four laudes added to the Christmas 1723 version of his Magnificat. He also used the melody three times in his Christmas Oratorio (1734). [1] [13] The chorale Ach, mein herzliebes Jesulein, which uses stanza 13 of Luther's hymn, closes Part I of the oratorio.
mein deutsches Vaterland! 𝄇 II Mein Herz ist entglommen, dir treu zugewandt, 𝄆 Du Land der Frei'n und Frommen, du herrlich Hermannsland! 𝄇 III Will halten und glauben an Gott fromm und frei; 𝄆 Will Vaterland dir bleiben auf ewig fest und treu. 𝄇 IV Ach Gott, tu' erheben mein jung Herzensblut 𝄆 Zu frischem freud'gem Leben,
Mein Gott, ich liebe dich von Herzen: Knauer Aria S 2Ob A minor: 4: Gib mir dabei, mein Gott! ein Samariterherz: Knauer Recitative T 2Vl Va D minor: 5: Ach, es bleibt in meiner Liebe: Knauer Aria A Tir 3/4 6 (setting of the "Ach Gott, vom Himmel sieh darein" hymn tune) Denicke: Chorale SATB unknown 2Vl Va G minor – D major
Was mein Gott will, das g'scheh allzeit (What my God wants, may it always happen), [1] BWV 111, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed the chorale cantata in Leipzig in 1725 for the third Sunday after Epiphany and first performed it on 21 January 1725, as part of his chorale cantata cycle .
As in his motets and the chorale cantata Ach Gott, vom Himmel sieh darein, BWV 2, Bach uses the old style of scoring, with all instruments doubling the vocal parts. [11] The Bach scholar Klaus Hofmann notes that Bach's use of older musical style may reflect Bach pointing back at the source, Luther's paraphrase of a text from the Old Testament.