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The Avalon Regal Theater (originally the Avalon Theater, and later the New Regal Theater) is a music hall located at 1641 East 79th Street, bordered by the Avalon Park and South Shore neighborhoods on the south side of Chicago, Illinois, United States. The theater opened in August 1927 and is a noted venue for African-American performers.
Child's Play Touring Theatre [45] Collaboraction [46] ETA Creative Arts Foundation [47] Ghostlight Ensemble Theatre Co [48] LiveWire Chicago Theatre [49] Off-Off Campus (UChicago) [50] Red Theater Chicago [51] Theater Oobleck (formerly Streetlight Theater) [52] TUTA Theatre [53]
CIBC Theatre is a performing arts theater located at 18 West Monroe Street in the Loop area of downtown Chicago. It is operated by Broadway In Chicago , part of the Nederlander Organization . Opened in 1906 as the Majestic Theatre , [ 1 ] it currently seats 1,800 and for many years has presented Broadway shows.
It was the first Hmong theater company in the world. [1] Between 1990 and 1997, PSHT wrote and produced eight successful plays in St. Paul. Of these, five were community-based and three were professionally staged. [1] In 1998, PSHT members decided to expand the group's focus beyond theater arts in order to serve more Hmong artists.
Free Street Theater is located in Chicago, Illinois.Free Street Theater was founded by Goodman School of Drama graduate Patrick Henry (1936-1989) in the late 1960s. As a grant-funded and donation-supported theater, the organization gives free or pay-what-you-can performances focused on contemporary social themes that are meant to bring together different ages, races and socio-economic groups.
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Silk Road Rising is a theatre company located in downtown Chicago dedicated to presenting plays written by individuals of Asian and Middle Eastern descent. Formerly known as Silk Road Theatre Project, the name was changed in 2011 in order to better reflect their mission statement which includes online video plays and documentaries, civic engagement projects, and education programming in ...
In 1981 he began his work with Hmong refugees at Ban Vinai Refugee Camp in northeastern Thailand. Of special interest was the performative aspects of Hmong culture. His conversations with Hmong healer Paja Thao led to Conquergood’s widely circulated 1986 essay I Am a Shaman: A Hmong Life Story with Ethnographic Commentary. [1]