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A good example is the work of John J. Gumperz on language and social identity, which specifically describes paralinguistic differences between participants in intercultural interactions. [5] The film Gumperz made for BBC in 1982, Multiracial Britain: Cross talk , does a particularly good job of demonstrating cultural differences in paralanguage ...
Vocal-auditory channel is the first of 13 design features proposed by Charles F. Hockett in characterizing human language and distinguishing it from animal communication.It describes the way vocal signals can be used to produce language.
File:Lessons in English literature (IA lessonsinenglish00murr 0).pdf. Add languages. Page contents not supported in other languages. ...
Because the speech signal is not linear, there is a problem of segmentation. It is difficult to delimit a stretch of speech signal as belonging to a single perceptual unit. As an example, the acoustic properties of the phoneme /d/ will depend on the production of the following vowel (because of coarticulation).
In speech communication, intelligibility is a measure of how comprehensible speech is in given conditions. Intelligibility is affected by the level (loud but not too loud) and quality of the speech signal, the type and level of background noise, reverberation (some reflections but not too many), and, for speech over communication devices, the properties of the communication system.
Consequently, it employs true voice samples as test signals. In order to characterize the listening quality as perceived by users, it is of paramount importance to load modern telecom equipment with speech-like signals. Many systems are optimized for speech and would respond in an unpredictable way to non-speech signals (e.g., tones, noise).
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The lyrical subject (lyrical speaker or lyrical I) is the voice, or person narrating the words of a poem or other lyrical work. [14] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject. [14]