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The lotus, Nelumbo nucifera. The lotus (Sanskrit: पद्म, romanized: Padmā), Nelumbo nucifera, is an aquatic plant that plays a central role in the art of Indian religions such as Hinduism, Buddhism and Jainism. In Asian art, a lotus throne is a stylized lotus flower used as the seat or base for a figure.
The lotus flower holds high spiritual significance across Hinduism, Buddhism and different Asian cultures alike. In China, for example, the lotus symbolizes associated with purity, grace and beauty.
“The lotus is revered in many Asian religions, including Buddhism, Hinduism, and Jainism,” says Snyder. “It’s often used as a symbol of purity, spiritual awakening, and enlightenment.
The lotus also symbolises the earth and is even said to contain the universe, and hence it is especially appropriate as an emblem for the divine preserver of the universe. The Vishnudharmottara specifically states that the lotus emerging from Vishnu's navel symbolises the earth, while the stalk represents the cosmic mountain, Meru , the axis of ...
The lotus throne, sometimes called lotus platform, is a stylized lotus flower used as the seat or base for a figure in art associated with Indian religions. It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. [1] Originating in Indian art, it followed Indian religions to East Asia in particular.
Since religion and culture are inseparable with Hinduism recurring symbols such as the gods and their reincarnations, the lotus flower, extra limbs, and even the traditional arts make their appearances in many sculptures, paintings, music, and dance.
The lotus symbolizes non-attachment in some religions in Asia owing to its ability to grow in muddy waters yet produce an immaculate flower.. Nonattachment, non-attachment, or detachment is a state in which a person overcomes their emotional attachment to or desire for things, people, or worldly concerns and thus attains a heightened perspective.
Early and influential work in the area that set the trend for Hindu interpretations of archaeological evidence from the Harappan sites was that of John Marshall, [8] who in 1931 identified the following as prominent features of the Indus religion: a Great Male God and a Mother Goddess; deification or veneration of animals and plants; a symbolic representation of the phallus and vulva; and, use ...