Search results
Results from the WOW.Com Content Network
A Princeton Companion [1] places the advent of Princeton reunions shortly after the end of the Civil War.The 1890s (especially the University's 150th anniversary in 1896) saw increasing interest, although it was not until the 1950s that Reunions took on today's level of organization, particularly with respect to on-campus housing for returning alums.
1983: Tina Turner: Live in Chicago—broadcast of a 1983 concert by Tina Turner, as a part of the Soundstage series. 1985: Aretha Franklin: Live at Park West—broadcast of a 1985 concert by Aretha Franklin, as a part of the Soundstage series. 1985: I Have a Pony— comedy album by Steven Wright, recorded at Wolfgang's in San Francisco and Park ...
The Chicago Park District receives roughly $250,000 from the venue (through sponsorship deals) and $1 from every ticket sold during concert season. [5] The venue opened June 24, 2005, with a concert by American band Earth, Wind & Fire. [6] After the COVID-19 pandemic, the venue implemented a new bag policy at their events.
It was the site of three pay-per-view events: Starrcade 87, Chi-Town Rumble and Halloween Havoc 90. When used as a concert venue the arena seats up to 10,075 for end-stage shows, 7,924 for 3 ⁄ 4-house shows, and 5,878 for 1 ⁄ 2-house shows.
The sprawling venue was difficult to maintain and struggled to attract enough large events to pay for its own upkeep. It was eventually sold to promoters Cardenas & Fernandez and then the City of Chicago, which had no more success at attracting events than its previous owner. In August 1999, demolition of the International Amphitheatre began. [8]
According to the CDPH, the “possible” exposure took place between 5 p.m. and 10 p.m. Sept. 12 during the outdoor Goose concert at the venue, located at 1357 N. Elston Ave.
Pages for logged out editors learn more. Contributions; Talk; Princeton Park, Chicago
[8] [41] Although Chicago Tribune music critic John von Rhein felt the inaugural concert's sound quality was "a work in progress" that varied with the listener's location in the pavilion, [42] critics Kevin Nance and Wayne Delacoma of the Chicago Sun-Times said that on the opening weekend it was clear that the acousticians, Talaske Group, and ...