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The song is played in the key of E major at a tempo of 64 beats per minute. The vocal range is G ♯ 3 to C ♯ 5. It has an irregular meter with a mix of 4 4, 3 4, and 2 4. [1] [2] The lyrics of the song take the form of a series of rhetorical questions, describing the contradictory emotions of being in
Different songs; Some titles of Fats Domino recordings actually refer each to two or even three different songs. These recordings are labeled in the column "Version" by Roman numerals as Song I, Song II and Song III in chronological order of recording. Different versions; Some songs were recorded in different sessions.
Katie Cruel" is a traditional American folksong, likely of Scottish origin. As a traditional song, it has been recorded by many performers, but the best known recording of the song is by Karen Dalton on the album In My Own Time. The American version of the song is said to date to the Revolutionary War period. [1] The song is Roud no. 1645. [2]
"A Cruel Angel's Thesis" remains one of the most popular songs in Japanese karaoke. In 2013, it placed third in a Koebu.com poll about the favorite karaoke songs by voice actors. [ 135 ] In 2014, the company Joysound placed it at number one on its list of the year's most-popular anime theme songs. [ 136 ]
Guitar Hero Live logo Guitar Hero Live is a 2015 music video game developed by FreeStyleGames and published by Activision. It is the first title in the Guitar Hero series since it went on hiatus after 2011, and the first game in the series available for 8th generation video game consoles (PlayStation 4, Wii U, and Xbox One). The game was released worldwide on 20 October 2015 for these systems ...
The song was released as the third single from The Veronicas' third studio album and debuted on Australian radio on 21 January 2015. "Cruel" was well received by critics who felt that it would be a radio hit. In Australia, "Cruel" debuted and peaked at number 53 on the Australian Singles Chart, becoming one of their lowest charting songs to date.
"The Only Flame in Town" has received mixed reviews from critics since its release, with some praising the more commercial sound. In its 1984 review of Goodbye Cruel World, Rolling Stone 's Don Shewey praised the contrast between the song's "happy, soulful sax line and keyboard groove" and "clipped, clever and accusatory" lyrics. [7]
Three additional tracks were recorded in the same sessions, including the song's B-side, "Goodbye Cruel World." The recording session featured The Nashville A-Team of musicians, including Floyd Cramer, Buddy Harman and Grady Martin. The sessions were produced by Owen Bradley, who would serve as Anderson's producer through most of years with ...