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Antoine-Jean Gros (French pronunciation: [ɑ̃twanʒɑ̃ gʁo]; 16 March 1771 – 25 June 1835) was a French painter of historical subjects. He was granted the title of Baron Gros in 1824. [1] [2] Gros studied under Jacques-Louis David in Paris and began an independent artistic career during the French Revolution.
Bonaparte at the Pont d’Arcole (French: Bonaparte au Pont d’Arcole) is an oil-on-canvas painting executed in 1796 by the French artist Antoine-Jean Gros.It depicts an episode during the Battle of Arcole in November 1796, with General Napoleon Bonaparte leading his troops to storm the bridge.
The Embarkation of the Duchess of Angoulême at Pauillac (French: Embarquement de la duchesse d'Angoulême à Pauillac) is an 1818 history painting by the French artist Antoine-Jean Gros. [1] Gros had made his reputation depicting scenes of Napoleon and the French Empire.
Portrait of the Duchess of Angoulême is an 1816 portrait painting by the French artist Antoine-Jean Gros depicting Marie Thérèse of France. [1] [2] The only surviving child of the guillotined Louis XVI she returned to France following the defeat of Napoleon.
Sappho at Leucate, also known as The Death of Sappho, is an oil-on-canvas painting executed by the French painter Antoine-Jean Gros in 1801. It has the dimensions of 122 by 100 cm. It is held in the Musée d'Art et d'Histoire Baron-Gérard , in Bayeux. [1]
Napoleon on the Battlefield of Eylau (French: Napoléon sur le champ de bataille d'Eylau) is an oil painting of 1808 by French Romantic painter Antoine-Jean Gros.Completed during the winter of 1807–1808, the work became an icon of the emerging style of French Romanticism.
Bonaparte, First Consul is an oil painting on canvas by French painter Antoine-Jean Gros, from 1802, which is a full-length portrait of Napoleon Bonaparte as First Consul. . The painting was commissioned by Napoleon himself who offered it to Jean-Jacques-Régis de Cambacérès, the Second Cons
It was part of a major commission from several artists depicting the glories of the Napoleonic era. The work was intended to be ready for the Paris Salon of 1808, but was not finally completed and exhibited until the 1812 Salon. [4] By the time the work was exhibited Francis was Napoleon's father-in-law following the latter's marriage to Marie ...