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— Kanakadhara Stotra, Verse 1 May Her glance, who abides in the body of Śrī Hari (who wears supreme happiness as ornament), just as the bees takes shelter in the profusely blossomed (buds) Tamāla tree, Who is the abode of all superhuman powers, and Who is all auspiciousness, be auspicious to me.
According to a Shiva legend from the Shiva Purana, once, Brahma (the god of creation) and Vishnu (the god of preservation) had an argument over their supremacy. [2] To settle the debate, Shiva pierced the three worlds, appearing as a huge, infinite pillar of light, the jyotirlinga.
Medha Suktam (Sanskrit: मेधासूक्तम्, romanized: Medhasūktam) is a suktam (set of mantras contained in the Vedas) addressed to Medha (wisdom ...
Moved by the condition of that lady and her broad mind to offer whatever is available to bala Bhikshu, Sankara instantly recited Kanakadhara stotram. The golden gooseberry rain fell in the garden of that old lady and the house got to be known as Swarnathu mana (Originally known as Punnorkkott Mana).
The Shanti Mantras, or Pancha Shanti mantras, are Hindu prayers for peace found in the Upanishads.Generally, they are recited at the beginning and end of religious rituals and discourses.
Pippalada (Sanskrit: पिप्पलाद, romanized: Pippalāda) was a sage and philosopher in Hindu tradition.He is best known for being attributed the authorship of the Prashna Upanishad, which is among the ten Mukhya Upanishads.
The oral tradition of the Vedas consists of several pathas, "recitations" or ways of chanting the Vedic mantras.Such traditions of Vedic chant are often considered the oldest unbroken oral tradition in existence, the fixation of the Vedic texts as preserved dating to roughly the time of Homer (early Iron Age or 800 BC).
The three foremost Nayanars with Manikkavacakar - collectively called the Nalvar: (from left) Sambandar, Appar, Sundarar, Manikkavacakar. A Vaippu Sthalam, [1] also called a Tevara Vaippu Sthalam, is one of the Hindu temples in South India that is referenced in the songs in the Tevaram, hymns composed in praise of Shiva during the 7th-8th century.