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"Locksley Hall" is a poem written by Alfred Tennyson in 1835 and published in his 1842 collection of Poems. It narrates the emotions of a rejected suitor upon coming to his childhood home, an apparently fictional Locksley Hall, though in fact Tennyson was a guest of the Arundel family in their stately home named Loxley Hall, in Staffordshire, where he spent much of his time writing whilst on ...
Poems, by Alfred Tennyson, was a two-volume 1842 collection in which new poems and reworked older ones were printed in separate volumes.It includes some of Tennyson's finest and best-loved poems, [1] [2] such as Mariana, The Lady of Shalott, The Palace of Art, The Lotos Eaters, Ulysses, Locksley Hall, The Two Voices, Sir Galahad, and Break, Break, Break.
Alfred Tennyson, 1st Baron Tennyson FRS (/ ˈ t ɛ n ɪ s ən /; 6 August 1809 – 6 October 1892) was an English poet.He was the Poet Laureate during much of Queen Victoria's reign.
Alfred Tennyson wrote the Locksley Hall poems after a mansion of the same name in Staffordshire, [2] [3] former country house of Thomas Kynnersley. In the early 19th century the house was remodelled and enlarged. A third storey under a hipped roof was added and the east wing was extended to seven bays.
The volume had the following title-page: Poems, Chiefly Lyrical, by Alfred Tennyson. London: Effingham Wilson, Royal Exchange, 1830. [ 3 ] Favourable reviews appeared by Sir John Bowring in the Westminster , by Leigh Hunt in the Tatler , and by Arthur Hallam in the Englishman's Magazine .
One of these pictures (the north view) he engraved privately. In 1850 he sent a picture illustrating Alfred Tennyson's Locksley Hall. [1] Ebsworth published at Edinburgh two collections of prose and verse, Karl's Legacy (2 vols. 1867) and Literary Essays and Poems (1868). He then produced a series of reprints of popular poetic literature.
The Land (poem) Last Post (poem) The Lay of Aotrou and Itroun; Leisure (poem) The Lie (poem) Limbo (Coleridge poem) Lines (poem) Lines on an Autumnal Evening; Lines Written at Shurton Bars; Little Gidding (poem) Little Red Cap (poem) Locksley Hall; Love Among the Ruins (poem) Lullay, mine liking
The pattern for the number of stresses in this poem is 3-3-4-4-4-3. Flow-er in the cran-nied wall, I pluck you out of the cran-nies, I hold you here, root and all, in my hand, Little flow-er—but if I could un-der-stand. What you are, root and all, and all in all, I should know what God and man is. The poem also follows an ABCCAB rhyme scheme.
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