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A Christmas wreath on a house door in England. A golden wreath and ring from the burial of an Odrysian Aristocrat at the Golyamata Mogila in the Yambol region of Bulgaria. Mid 4th century BC. A wreath (/ r iː θ /) is an assortment of flowers, leaves, fruits, twigs, or various materials that is constructed to form a ring shape. [1]
Hand-colouring with watercolours requires the use of a medium to prevent the colours from drying with a dull and lifeless finish. Before the paint can be applied, the surface of the print must be primed so that the colours are not repelled. This often includes prepping the print with a thin coating of shellac, then adding grit before colouring ...
The olive wreath, also known as kotinos (Greek: κότινος), [1] was the prize for the winner at the ancient Olympic Games. It was a branch of the wild olive tree [ 2 ] Kallistefanos Elea [ 3 ] (also referred to as Elaia Kallistephanos ) [ 4 ] that grew at Olympia , [ 5 ] intertwined to form a circle or a horse-shoe.
A laurel wreath is a symbol of triumph, a wreath made of connected branches and leaves of the bay laurel (Laurus nobilis), an aromatic broadleaf evergreen. It was also later made from spineless butcher's broom ( Ruscus hypoglossum ) or cherry laurel ( Prunus laurocerasus ).
Observance of Christmas in various locations around the world. The observance of Christmas around the world varies by country. The day of Christmas, and in some cases the day before and the day after, are recognized by many national governments and cultures worldwide, including in areas where Christianity is a minority religion which are usually found in Africa and Asia.
Victory Day [a 1] is a holiday that commemorates the victory of the Soviet Union over Nazi Germany in 1945. It was first inaugurated in the 15 republics of the Soviet Union following the signing of the German Instrument of Surrender late in the evening on 8 May 1945 (9 May Moscow Time).
Black Square (Russian: Чёрный квадрат) is a 1915 oil on linen canvas painting by the Russian avant-garde artist and theorist Kazimir Malevich. [1] There are four painted versions, the first of which was completed in 1915 and described by the artist as his breakthrough work and the inception of his Suprematist art movement (1915–1919).