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In Romeo and Juliet, Shakespeare employs several dramatic techniques that have garnered praise from critics, most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives).
William Shakespeare [a] (c. 23 [b] April 1564 – 23 April 1616) [c] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. [3] [4] [5] He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
The "New Penguin Shakespeare" series ("NS") was edited by Terence Spencer and started in April 1967 with NS1 Romeo and Juliet. The books were accompanied by a new series of Shakespeare commentaries printed under the title "The Penguin Shakespeare Library" ("SL"), while on the spines of a few books in the prefix "PNS" has been used. [1]
Shakespeare's work is also lauded for its insight into emotion. His themes regarding the human condition make him more acclaimed than any of his contemporaries. Humanism and contact with popular thinking gave vitality to his language. Shakespeare's plays borrowed ideas from popular sources, folk traditions, street pamphlets, and sermons.
The New Shakespeare was published between 1921 and 1969. [1] The series was edited by Arthur Quiller-Couch and J. Dover Wilson. [1]The earlier volumes of the series contain critical introductions by Quiller-Couch (signed "Q") and written in a belles lettres style that, according to R. A. Foakes in The Oxford Handbook to Shakespeare (2003), have been "largely forgotten".
After Romeo kills Juliet's cousin Tybalt in a fit of passion, things fall apart. Both lovers eventually commit suicide within minutes of each other, and the feuding families make peace over their recent grief. Timon of Athens: c. 1607 [17] First published in the First Folio [18] No recorded performances during Shakespeare's lifetime. [17]
William Shakespeare, William Shakespeare's Comedies, Histories, and Tragedies (London: Thomas Coates, 1632); Pequot Library Special Collections. The printing of the Second Folio was done by Thomas Cotes. Individual copies of the Second Folio were issued with title-page inscriptions to each of the five publishers, in the format "printed by ...
This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (December 2023) (Learn how and when to remove this message) The Chandos portrait, commonly assumed to depict William Shakespeare but authenticity unknown, "the man who of all Modern, and perhaps Ancient Poets, had ...