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The ABRSM (Associated Board of the Royal Schools of Music) is an examination board and registered charity [2] based in the United Kingdom. ABRSM is one of five examination boards accredited by Ofqual to award graded exams and diploma qualifications in music within the UK's National Qualifications Framework (along with the London College of Music, RSL Awards (Rockschool Ltd), Trinity College ...
Morning music; 2. Dancing in place; 3. Northern Nigun; 4. Lenny in spats; 5. Tempo di gavotte; 6. Barcarolle; 7. Fuga malinconica; 8. Tarantella; 9. Even music) Suite No. 3, for solo violin (2018) -commissioned by the "International Violin Competition of Indianapolis"- (in 7 movements) Csiky Boldizsár. Passacaglia (Thema with Variations) for ...
Grave funebre, for violin and orchestra; Violin caprices 5 & 8, for violin and orchestra; Susan Botti. Within darkness, for violin and chamber orchestra (2000) Hendrik Bouman. Violin Concerto in D major for Simon Standage (2008) Brian Boydell. Violin Concerto, Op. 36 (1953–54) Ina Boyle. Concerto for violin and orchestra (1932-33 rev. 1935)
The Sonatina in G major for violin and piano (Czech: Sonatina G dur pro housle a klavír), Op. 100, B. 183, was written by Antonín Dvořák between November 19 and December 3, 1893, in New York City. It was the last chamber composition he wrote during his sojourn in the United States.
The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
Like the violin repertoire, much of the viola repertoire is drawn from the Baroque period. The first three volumes have been arranged (or transposed) almost directly from the first three violin volumes, and the rest differ significantly as they delve into standard viola literature. The viola books introduce shifting and work in higher positions ...
The Six Humoresques, Opp. 87 and 89, [a] are concertante compositions for violin and orchestra written from 1917 to 1918 by the Finnish composer Jean Sibelius.Despite spanning two opus numbers (due to publishing technicalities), the composer—who originally considered calling the humoresques impromptus or lyrical dances—intended them as a suite.
Although called a "Spanish Symphony" (see also Sinfonia concertante), it is considered a violin concerto by musicians today. The piece has Spanish motifs throughout, and launched a period when Spanish-themed music came into vogue. (Georges Bizet's opera Carmen premiered a month after the Symphonie espagnole.)