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Sigālovāda Sutta is the 31st Sutta described in the Digha Nikaya ("Long Discourses of Buddha"). [1] It is also known as the Sīgāla Sutta , [ 2 ] the Sīgālaka Sutta , [ 3 ] the Si ṅ gālovāda Sutta , the Si ṅ gāla Sutta, [ 4 ] and the Sigālovāda Suttanta ("The Sigāla Homily").
The Buddha compares someone who understands only the letter of the teachings to someone who grabs a snake by the tail, and also invokes the famous simile of the raft. MN 23 Vammika Sutta: The Ant: In a curious discourse laden with evocative imagery, a deity presents a riddle to a mendicant, who seeks an answer from the Buddha. MN 24 Ratha ...
Download as PDF; Printable version; In other projects Wikidata item ... move to sidebar hide. Suttas from the Sutta Pitaka of the Pali Canon. List of Digha Nikaya ...
Singing Dharma songs is an extraodinarily skillful and enjoyable Buddhist practice technique that Rinpoche has introduced to his students in a variety of ways: Rinpoche himself sings regularly; he has given illuminating explanations of the profound songs of the great masters; has composed many of his own songs; and has instructed and encouraged ...
Ananda describes the path taught by the Buddha. DN 11 Kevaṭṭa Sutta [11] alt: Kevaḍḍha Sutta To Kevatta: Kevaddha asks the Buddha why he does not gain disciples by working miracles; the Buddha explains that people would simply dismiss this as magic and that the real miracle is the training of his followers. DN 12 Lohicca Sutta [12] To ...
There after, she recorded many hundreds of songs for composers such as Ilaiyaraaja, A. R. Rahman, Mani Sharma, Koti, Deva, Vidyasagar, Hamsalekha and others. She received the National Film Award for Best Female Playback Singer for the song "Poraale Ponnuthayi" from the film Karuthamma (1994).
They are incorporated in the Khuddhaka Nikāya as subdivisions of the Sutta Nipāta, the collection of the words spoken by the Buddha. The suttas portray the Aṭṭhakavagga as some of the Buddha's first sermons; the Udana depicts the Buddha asking a monk to recite Dhamma, and responding approvingly when he recites the Aṭṭhakavagga.
In the Aggi-Vacchagotta Sutta itself, it is clear that the Buddha is the subject of the metaphor, and the Buddha has already "uprooted" or "annihilated" the five aggregates. [6] In Sn 1074, it is stated that the sage cannot be "reckoned" because he is freed from the category "name" or, more generally, concepts.