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The Judensau from Wittenberg, 1596. Vom Schem Hamphoras, full title: Vom Schem Hamphoras und vom Geschlecht Christi (Of the Unknowable Name and the Generations of Christ), was a book written by German Reformation leader Martin Luther in 1543, in which he equated Jews with the Devil and described them in vile language.
In addition to the Shem haMephorash, b.Qiddushin 72a describes a 12-letter name and a 42-letter name. [2] The medievals debate whether the 12-letter name is a mundane euphemism, [4] unknown, [5] YHVH-EHYH-ADNY (יהוה אהיה אדני), [6] or YHVH-YHVH-YHVH (יהוה יהוה יהוה). [7]
The German text was later published by Johann Scheible in his Das Kloster, (Stuttgart and Leipzig, 1846. 12 vols. Vol. 3), and later included in his edition of the so-called Das sechste und siebente Buch Mosis, Achtente, sehr vermehrte Auflage, New York: Wm. Radde, 1865.
Some forms are strictly defined, with required line counts and rhyming patterns, such as the sonnet (mostly made of a 14-line poem with a defined rhyme scheme) or limerick (usually a 5-line free rhyme poem with an AABBA rhyme scheme). Such poems exhibit closed form, meaning they have strict rules regarding their structure and length. [7]
From the 9th through the 20th centuries, the Toledot Yeshu has inflamed Christian hostility towards Jews. [6] [35]In 1405, the Toledot was banned by Church authorities. [36] A book under this title was strongly condemned by Francesc Eiximenis (d. 1409) in his Vita Christi, [37] but in 1614 it was largely reprinted by a Jewish convert to Christianity, Samuel Friedrich Brenz, in Nuremberg, as ...
Isaac ben Solomon Luria Ashkenazi (Hebrew: יִצְחָק בן שלמה לוּרְיָא אשכנזי; c. 1534 [1] – July 25, 1572 [2]), commonly known in Jewish religious circles as Ha'ari, [a] Ha'ari Hakadosh [b] or Arizal, [c] was a leading rabbi and Jewish mystic in the community of Safed in the Galilee region of Ottoman Syria, now Israel.
The original manuscript of the poem, BL Harley MS 2253 f.63 v "Alysoun" or "Alison", also known as "Bytuene Mersh ant Averil", is a late-13th or early-14th century poem in Middle English dealing with the themes of love and springtime through images familiar from other medieval poems.
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